SPECIAL GROUPS FOR ADULTS

Dedicated to students majors of 16 years that attend regulated curriculum or that simply want to learn music or to retake their studies. They can study any level. It is possible that it has always wanted to learn to play, but the circumstances have not allowed it.
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Also it can be that it only wants to learn by the taste to touch without subjecting to programs, or official curricula. For that reason we personalized our classes for adults, as much in group as in the individual classes, so that you can determine the program, the repertoire, the objectives and the regularity.
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We adapted to the schedules that the adult student can have.
In these groups we consider different methodologies from the applied ones with the small ones, as well as the normal needs of the adults, as its familiar or labor situation, time for the study etc.

OTHER SUBJECTS

HARMONY

Matter in which one undertakes the study of the chords and its different functions, as well as its connections and the conduction of the voices that conform the contrapuntistico framework of a musical work.

Its programming corresponds with the equivalent matter of the curriculum of professional lessons of music. We can distribute it of group form (groups of not more than 10 students) or individual based on the needs of the student.

We can also destine this matter to students who wish to begin in the study of the composition or which they wish to deepen in her. Its programming in such case will not be subject to the rigidity of regulated education and it will adapt to the needs of each student.

COUNTERPOINT

Matter in which the study of the compositional technique of the harmonious agreement of opposed voices will be approached (technical of the simultaneity of the voices in a composition).

We can distribute it in three itineraries that the student will choose based on his needs:

CONTRAPUNTO-A.  Distributed in two courses, its programming corresponds to its equivalent in the matters of the curriculum of lessons music superiors. It can be distributed in group form (not more than 5 students) or individual.

COUNTERPOINT - B. specifically Appointed individual students that wish to begin in the study of the academic counterpoint or to which wish to deepen in their studies of composition being followed the rules of the academic counterpoint (study of species).

FREE COUNTERPOINT AND FLIGHT. Destined to degree students superior, titleholders music superiors, composers and musicians of different disciplines that wish to deepen in the study of the free counterpoint and/or flight; baroque flight, flight of school, free flight and escaped forms.

COMPOSITION

Specific denomination of the set of matters that constitute the technical denominated one €œof the composition€, natural attainment of the harmony specialties and counterpoint and that conform the following subjects:
* ANALYSIS
* FOUNDATIONS OF THE TECHNIQUE OF THE COMPOSITION
* TECHNICAL OF THE COMPOSITION AND COMPOSITIONAL PROCEDURES
* IT FORMS MUSICAL COMEDY
* INSTRUMENTATION AND ORQUESTRATION
* TECHNICAL COMPOSITIONAL PREVIOUS TO CENTURY XX
* COMPOSITIONAL PROCEDURES OF CENTURY XX-XXI

Of the characteristics of these subjects, they are in favor destined to students of professional degree and superior, titleholders superiors, professional composers, or for whom they need a specific preparation for the tests access to the degree music superior.

SUPPORT AND UNDER CONTINUOUS

Matter in which the study of the low technique of continuous the baroque one from the point of view of the different European schools will be approached, as well as the ornamentation and the stylistic characteristics of every period.  it enters centuries XVI the XVIII.
Appointed to students and interpreters of key and pressed cord of all the specialties or for those interested in the home or perfecting themselves in the technique of the low coding.

CHOIR DIRECTION

The multidisciplinary study of the technique of the choral direction is approached: gesture, quironimia and directional technique, auditory education, repertoire and technique of the choral song.